Van Gogh

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Zürich has long-featured at the top of the list of cities offering the best quality of life in the world. Having finally visited for the first time last week, I can now see why.

Mind you, I wasn’t so enthused when I looked out the plane’s window as we came in to land. The pilot informed us (a little too cheerily, I thought) that it was -3°C, and the sky was an ominous grey.

Still, the city soon made up for it.

I had a few hours to kill before a business meeting, so I took the opportunity to amble around the Old Town, before finding my way through the winding streets to the Kunsthaus art museum.

The museum lacks the grandeur and wealth of treasures that the Louvre, National Gallery or the Prado can boast. But with a collection of works spanning six centuries – including some beautiful pieces by Canaletto, Monet and Van Gogh – it is well worth a trip.

And Zürich has a lot more to offer. The cafes, restaurants, shops, and its beautiful lake make Zürich an enviable place to live. Easy access to Switzerland’s world class ski resorts has a certain attraction too!

The Swiss advantage

And Switzerland’s appeal is not limited to its culture or sporting activities.

In its most recent annual survey, the World Economic Forum crowned Switzerland as the most competitive nation in the world for the second year running.

Switzerland was followed by Sweden, with Singapore third in the rankings. The United States slipped to fourth. The United Kingdom was 12th.

Running like clockwork

Such rankings were underscored on my way home.

The Swiss, of course, are famed for their timekeeping and efficiency. When the trains say they will arrive at a certain time they do, and to the second. They are smooth, clean and comfortable. Getting around Zürich is a cinch.

By contrast, getting back to my home in the UK was anything but smooth and comfortable. London’s Underground system was ground-breaking (literally) when it opened 150 years ago. Now though it is showing its age. There are constant repairs, and too many people jostling to get on.

The subsequent overland leg of my train journey was even worse. Broken signals, delays, overcrowded carriages. Suffice to say, it eventually took me twice as long to get from London’s City airport to home as it had taken me to fly from Switzerland to the UK.

Having lived abroad for many years, I know that nowhere is perfect.

Britain has its faults, for sure – the climate, the overstretched transport infrastructure, the lack of space, its cost of living. Yet coming back to live in the UK has helped me see it with new, more sympathetic eyes, better able to appreciate the wonderful things it does have to offer, and not just the bad bits.

Still, I can see why there is so much interest – especially among those well-paid financial types – in relocating to Switzerland.

Much of the reason may be to do with the favourable tax regimes they can expect to find in the country’s various cantons.

But I’m sure Switzerland’s long-trumpeted quality of life advantages must be as much of a draw.

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There may not be many, but being a journalist does have its occasional advantages … as I found last week when I was invited to a private viewing of the Van Gogh exhibition at the Royal Academy of Arts in London.

The exhibition, The Real Van Gogh: The Artist and His Letters, which finished yesterday, has been hugely popular. Unfortunately, it meant the queues to get in during normal opening hours were over three hours long at times. And the crowds inside made it difficult to view the paintings, drawings and letters that were on display, according to a friend who went last month.

So the invitation to a press party and private viewing – organised by the exhibition’s sponsor The Bank of New York Mellon – was too good an opportunity to miss. Having the space and time to amble around uninterrupted, reading the inscriptions and admiring the paintings in close detail, was a real delight (not to mention the free cava and canapés).

Of particular interest was the insight the exhibition gave into Van Gogh the expatriate. His formative years as an artist in the Netherlands produced a series of dark and dour paintings drawn from the people and landscapes around him. However, once Van Gogh moved to Paris colour began to infuse his palette. At last he was at the centre of the artistic world, and the influence of the Impressionists, and pointillists such as Georges Seurat, is visibly evident in his development as a painter.

But it was Van Gogh’s relocation south, and the inspiration he found in sun-blessed Provence, that marks the real turning point in his career. It is from this period that his most famous paintings date: Bedroom in Arles, Irises, Cypresses, The Starry Night, Cafe Terrace and the Sunflowers series.

Unfortunately, this time in Provence also saw a pronounced deterioration in Van Gogh’s mental health, an illness that led to his eventual suicide.

On second thoughts, perhaps a life in the sun isn’t such a great idea after all!

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